There have been some amazing advances in video tech recently. In post, Adobe has been leading the way, with new workflows, faster everything, and a very cool new warp stabilizer and some extremely competitive 3D camera tracking. Premiere and After Effects both have a whole bunch of new tools, and these are accelerated by a bunch of new advanced GPUs from nVidia.
Also, there’s no shortage of fantastic new HD cameras, like the Blackmagic Cinema camera, which gets you uncompressed 2.5k video for less than $3,000, or Sony’s just-announced NEX-VG900, which is a full-featured camcorder with full-frame 35mm sensor, and next week Panasonic is going to unveil the Lumix GH3. Everything is getting better, smaller, and cheaper.
With pro audio, however, not so much. Sample technology for composition is advancing by leaps and bounds, but mics, mixers, and recorders haven’t changed much since the digital revolution over a decade ago. Stu Maschwitz has a great post up asking for a new revolution in audio support for newbies, or in other words, video guys.