Today I was looking over a few camera accessories that I might want to purchase before the end of the year, and was reminded of how good we videographers and photographers have it, technically speaking. It seems only yesterday that I was wrestling with the almost crippling limitations of tube cameras and tape recorders to try to get images that looked cinematic, decent, or even discernible… and today I take modern camera technology for granted.
In the last 20 years I’ve gone from terrified that I might permanently burn out the pickup tubes of a $30,000 BetaCam camera, to frustrated that a $9,000 HDV camera isn’t compatible with certain broadcast standards, to slightly peeved that I can’t get absolutely every feature I want in a $400 camera (and those numbers, by the way, are not adjusted for inflation).
And in reading through various reviews and blogs and forums today, I noticed that lots of folks are peeved that they can’t get the perfect camera yet; a magical camera that could combine the best features and patents from multiple companies. My perfect camera, for example, would be a small mirrorless body combining Canon’s autofocus technology and color science, Sony’s most sensitive image sensors, Olympus’s in-body stabilization, Panasonic’s wifi remote, and Blackmagic’s high-bitrate recording formats.
Some commenters have complained that this magical camera doesn’t exist because of too much competition in the in the market, not enough government regulation of features, and that darn old capitalism letting greedy camera makers keep the prices too high. This is an odd sentiment, since I can’t think of any product or field of technology that has benefited more from competition, lack of regulation, and free market economics than digital video cameras.